One of the noticeable trends of this year’s Arab films is the outstanding accomplishments of a new generation of female filmmakers. Especially the wide spectrum of female filmmakers from the veteran female filmmaker Haifaa Al Mansour to those who have entered the scene with impressive feature works last year including Hinde Boujemaa and Mounia Meddour shed hope on the fact that women’s works in the Arabic film scene are not only continuing their legacy, but will become even more rigorous as well. The films included in this year’s special program, ‘Focus 2020: Arab Women Filmmakers Now’ are good examples of such diversity.
First to mention are films from a master and newcomer from Saudi Arabia, Haifaa Al Mansour’s “The Perfect Candidate” and Shahad Ameen’s debut feature, “Scales”. “Scales” conveys a critique of the old custom of female sacrifice through an experimental style and dreamy black and white images, while “The Perfect Candidate” takes a bold approach, a signature style of the filmmaker to a woman who takes social change into her own hands. Mounia Meddour’s feature debut film, “Papicha” follows the journey of a teenage girl in pursuit of her dreams taking a shot at a society permeated with patriarchal violence in 1990s’ Algeria. The situation might seem depressing, yet the young girls are brave and full of life. Another debut feature, “Noura's Dream”, directed by Hinde Boujemaa introduces personal and realistic observations of a woman suffering from oppressive institution related to marriage in the modern Tunisian society. These two debut features offer realistic views on society’s negative sides, but express the underlying strengths and daring potentials of women in impressive ways. “17” is a documentary which follows the Jordanian U-17 Women’s World Cup team’s saga to invite the audience into the actual life scenes of the young girls’ lives as they struggle against tradition. This section offers the opportunity to meet a diverse range of women from different generations who live present times in their own ways, but with the common traits of unwavering strength.
Korean Premiere
“17” follows the Jordanian under-17 women’s football team as they prepare for the FIFA U-17 Women’s World Cup Jordan 2016. Coming from different backgrounds, each of the girls has faced a different set of challenges as a national team player. But now they come together to face their biggest challenge yet. “17” is a social exploration into the lives of young women who are passionate about a sport they have been told was only for men. Will Anoud make it in the final squad? Will Leen be ready to play in this world-class event with so little time to prepare? Will the odds finally start working for the team?
Widad Shafakoj
A Jordanian-Spanish filmmaker, Widad Shafakoj worked as a set designer before getting a scholarship in filmmaking at the SAE Institute. She directed award-winning short “ID:000”, a documentary that talks about graduated orphans in Jordan, and the way abuse has affected their lives. The film made significant changes in the Jordanian law. Widad continues to present controversial stories in her work, and she succeeded in making her first feature-length documentary “If You Meant to Kill Me” in 2014.
Seoul |
7.17(Fri) 19:30 7.20(Mon) 14:00 |
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Busan |
7.18(Sat) 11:00 7.20(Mon) 19:30 |
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Asian Premiere
An independent woman, Noura is raising her three children alone, working in a hospital laundry to make ends meet. While her husband Jamel is back in jail, she meets Lassad, the love of her life. Forced to hide their relationship – if it were discovered, they would face 5 years in prison – Noura petitions for divorce but just days before it is granted, the lovers’ dream of a life together is threatened by Jamel’s imminent release. The series of absurdities caused by Jamel’s attempt to revenge on two, shows how the law and institution of Tunisia can make a woman’s life miserable. Instead making Noura a vulnerable victim, Boujemaa describes her as an emotional but strong-willed woman with a sense of reality. It gives the film a wide distinction from love triangle dramas.
Hinde Boujemaa
Hinde Boujemaa began her career as a director with her first feature-length documentary “It Was Better Tomorrow”, which screened in Official Selection at the Venice Film Festival in 2012. She is involved as director in a variety of campaigns in support of the fight against the discrimination and inequality faced by women worldwide. In 2015 she directed her short fiction “...and Romeo Married Juliet”. “Noura's Dream”, Boujemaa’s feature fiction debut, was screened at Toronto International Film Festival and San Sebastian International Film Festival.
Seoul |
7.16(Thu) 16:30 7.19(Sun) 14:00 |
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Busan |
7.16(Thu) 19:30 7.18(Sat) 19:30 |
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Korean Premiere
Set in a dystopian landscape, “Scales” is the story of a young strong-willed girl, Hayat, who lives in a poor fishing village governed by a dark tradition in which every family must give one daughter to the sea creatures who inhabit the waters nearby. In turn the sea creatures are hunted by the men of the village. Saved from this fate by her father, Hayat is considered a curse on the village and grows up an outcast. Nevertheless, she does not surrender to this fate and fights for a place within her village. After her mother gives birth to a baby boy, Hayat must accept the brutal custom of giving herself to the sea creatures or finding a way to escape.
Shahad Ameen
Shahad Ameen was born and raised in Jeddah, Saudi Arabia. Her short films include “Our Own Musical” (2009) and “Leila’s Window” (2011), which played at the Gulf Film Festival and was named Best Film at the Saudi Film Festival. Her short film “Eye & Mermaid” (2013) premiered at the 2013 Dubai International Film Festival and was selected for competition at the Toronto International Film Festival, Stockholm Film Festival and Norway’s Kortfilmfestivalen in 2014. “Eye & Mermaid” was also awarded First Prize in the Emirates Film Competition and Best Cinematography at the Abu Dhabi International Film Festival in 2014.
Seoul |
7.18(Sat) 20:30 7.20(Mon) 16:30 |
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Busan |
7.17(Fri) 19:30 7.19(Sun) 10:50 |
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Maryam is and ambitious young doctor working in a small town clinic. Despite her qualifications, she has to earn the respect of male colleagues and acceptance from her patients every day. After Maryam is prevented from traveling to Dubai in search of a better job, a bureaucratic mixup leads her to stumble on the application for her local city elections and she decides to run. Maryam enlists her two younger sisters to begin fundraising and planning campaign events. While they face the restriction of women’s traditional roles in the society at every turn, Maryam’s audacious candidacy starts to build momentum and challenges her conservative community.
Haifaa Al Mansour
Haifaa Al Mansour finished her bachelor’s degree in Literature at the American University in Cairo and completed a Master’s degree in Directing and Film Studies from the University of Sydney. She is considered the first female filmmaker in Saudi Arabia and her feature film “Wadjda” (2012) was the first feature film ever to be shot entirely inside the Kingdom of Saudi Arabia. Invited to over 40 festivals worldwide, “Wadjda” garnered numerous awards – among others in Venice, Rotterdam and Dubai. Her other works include “Mary Shelley” (2017) and “Nappily Ever After” (2018).
Seoul |
ACO7.18(Sat) 11:00 7.21(Tue) 14:00 |
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Busan |
7.17(Fri) 15:00 7.19(Sun) 14:50 |
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Korean Premiere
Algeria, 1990s. Nedjma, an 18 year-old student passionate about fashion design refuses to let the tragic events of the Algerian Civil War to keep her from experiencing a normal life and going out at night with her friend Wassila. As the social climate becomes more conservative, she rejects the new bans set by the radicals and decides to fight for her freedom and independence by putting on a fashion show. The fashion show Nadjma prepares is not only a way of pursuing her personal dream but a strong statement against the social inhibition. Based on the director Mounia Meddour’s own experience of growing up during Algerian Civil War, the story depicts the sad reality as well as the heart-warming friendship among the girls in a sensitive and brave way.
Mounia Meddour
Mounia Meddour was born and raised in Algeria. At the age of 18, she moved to France with her family as a result of death threats they received during the Algerian Civil War. She studied journalism before joining the summer directing program at La Fémis in Paris. Her first short film, “Edwige” (2011) won the Ciné+ Award at the Saint-Jean-de-Luz Festival, the UniFrance Short Film Award and was featured in several festivals including Dubai International Film Festival. “Papicha” is her first feature film.
Seoul |
OP7.18(Sat) 16:30 7.21(Tue) 16:30 |
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Busan |
7.18(Sat) 15:00 7.20(Mon) 15:00 |
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